Works Cited.
Balsom, Erika. “A cinema in the gallery, a cinema in ruins.” Screen 50.4 (2009): 411-427.
Barker, Timothy. “Objects and interaction.” Digital Creativity 22.2 (2011): 65-77.
Benjamin, Walter. The work of art in the age of mechanical reproduction. Penguin UK, 2008.
Berger, John. Ways of seeing. Vol. 1. Penguin UK, 2008.
Brokeback Mountain. Dir. Ang Lee. Focus Features. 2005.
Bucy, Erik P. “Interactivity in society: Locating an elusive concept.” The information society 20.5 (2004): 373-383.
Horwatt, Eli. “A taxonomy of digital video remixing: Contemporary found footage practice on the Internet.” Cultural borrowings: Appropriation, reworking, transformation (2009): 76-91.
Jenkins, Henry. “Interactive audiences? The collective intelligence of media fans.” The new media book (2002): 157-170.
“Milk.” Shu Lea-Cheang. 56K Bastard TV. 2004
“LUKESKYWALKER Movie Kill Count.” Dir. Mr Sunday Movies. YouTube. 2015
“Star Wars: The Empire Brokeback.” Dir. SLC17. YouTube. 2006.
Sufferosa. Dir. Kissinger Twins, The. UNIT9. 2012.
Barker, Timothy. “Objects and interaction.” Digital Creativity 22.2 (2011): 65-77.
Benjamin, Walter. The work of art in the age of mechanical reproduction. Penguin UK, 2008.
Berger, John. Ways of seeing. Vol. 1. Penguin UK, 2008.
Brokeback Mountain. Dir. Ang Lee. Focus Features. 2005.
Bucy, Erik P. “Interactivity in society: Locating an elusive concept.” The information society 20.5 (2004): 373-383.
Horwatt, Eli. “A taxonomy of digital video remixing: Contemporary found footage practice on the Internet.” Cultural borrowings: Appropriation, reworking, transformation (2009): 76-91.
Jenkins, Henry. “Interactive audiences? The collective intelligence of media fans.” The new media book (2002): 157-170.
“Milk.” Shu Lea-Cheang. 56K Bastard TV. 2004
“LUKESKYWALKER Movie Kill Count.” Dir. Mr Sunday Movies. YouTube. 2015
“Star Wars: The Empire Brokeback.” Dir. SLC17. YouTube. 2006.
Sufferosa. Dir. Kissinger Twins, The. UNIT9. 2012.